Notes

*Matrix*

----------------------------------------------------
SBD (shnid=27779):

Recording Info:
SBD -> Master Reel -> Dat (48k)

Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude v7.02 Professional -> FLAC
(2 Discs Audio / 1 Discs FLAC)

Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
1/19/05

Notes:
-- The circulating 1st Set came labled Master Reel, but obviously is not.

[Cuts]

24 second cut in Bird Song
15 second cut in Tennessee Jed
1:20 length cut in Half-Step
32 second cut in Soundcheck Jam

----------------------------------------------------
AUD (shnid=26363):

AudMC > ? > C > DAT > WAV > SHN

unknown taper; stereo recording

A > D by Noah Weiner, October, 2004

Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D
only) > Turtle Beach Montego II Digital I/O > Sound Forge
(wav edits and track IDs) > SHNTOOL (SBE fix) > MKW Audio
Compression Tool (shn)

[Cuts]

Sugaree: whole track
Bird Song: from 11:21 - 11:46
Tennessee Jed: from 7:25 - 7:37
Me And My Uncle: first 00:26
Wharf Rat: from 06:33 - 07:03

---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to Noah Weiner for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC16)
August 1, 2009



Notes:

1) Promised Land in the AUD source appears to be patched from a different AUD recording.

2) Mexicali Blues in the AUD source had some "warping" issues in the earlier portion and does not sound as good as the AUD songs that follow, so I decided not to matrix it.

3) Set 2 sounds better due to the better sounding SBD source (master reel), which is not the same as set 1.

4) Soundtrack Pro was used to clean up numerous instances of light static in the set 1 SBD source.

5) The AUD had some tuning and stage banter between songs, which were not present on the SBD.

6) Set 2 jam is extremely stellar.